What it is
Simply put, drapery is the process of giving fabric and other textiles a voluminous shape when assembled. If you dig deeper, you will find that there are many types of design. Here are some of them:
- Tying with a cord or ribbon is the easiest option;
- Drapery with ribbons and laces attached to holders or tiebacks at certain points;
Draping fabric
- Creation of unique even folds, which can be one-sided, multi-sided, bow-shaped, etc.;
- In horizontal form using hanging mechanisms;
- Creating drapery patterns using patterns.
Beautiful ceiling drapery
Important! The last method of making patterns may differ and depends on the type of fabric, the final shape of the decorative element, and the density of the assembly. Coarse textiles need to be collected more rarely. Less dense - less rough and often. In any case, before installation you need to make sketches of future solutions.
Suitable material for draping
The pattern depends on many parameters, including: calculating pattern values, adding hems, using ribbons and cords, and suspenders. It should be understood that the pattern of curtain fabrics and their details, including cascades, swags and ties, is more complex than sewing a simple curtain.
You also need to understand that you can’t create spectacular drapery from just any fabric. Some fabrics will not allow you to lay it out quickly and easily. For example, it is advisable not to drape knitted fabrics, as they can stretch greatly and the finished product will change shape. Rough and heavy materials are difficult to drape.
Door decoration
Despite all this, the choice of materials that will drape well is great. They should be selected based on the purpose of the product. For example, light and airy textiles are used for curtains, and heavier ones for curtains. The fabric is ideal for draping and can be easily assembled into gathers without special tools. Such fabric should not be too heavy or stretchy, hard or soft.
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Skirt
Important! When choosing a material for drapery, you need to take into account not only its properties, but also the overall design of the room. The finished elements should look good and harmonious against the general background, emphasizing it.
Decorated area
How to stick
Pasting vinyl stickers is not difficult, but you must follow certain rules. Firstly, the room must be warm. Temperature not lower than +15°C. Secondly, humidity is normal, walls or any other surface must be dry and clean. There should be no dust, no grease, no dirt. If possible, the area under the sticker should be treated with a degreaser (solvent).
How to apply vinyl stickers to a wall - step by step photos
To work, you will need a small plastic spatula, which can be successfully replaced with an old plastic bank card. If you don't like working with plastic, try a dry, clean, soft cloth. These devices will help expel air bubbles from under the film.
We glue a large picture from vinyl film
The area for work has been prepared, the next procedure is as follows:
- Let's take the sticker apart and see how it will look. Very often it is a set of fragments. We take fragments and assemble them into a picture. We fasten them with pins or stationery tape in the intended place. Let's go away and take a look. If you are happy with everything, let's start gluing.
- You should start from the bottom and move up.
First, the central fragment is glued, and the others are joined to it. So it turns out that you will have to move in two directions - from bottom to top and from the center to the edges. At first it’s not clear what and how - From the bottom of the fragment we peel off a small section of the backing that protects the adhesive layer.
Apply to the work surface. We try to glue it evenly, but if it doesn’t work, it’s okay - peel it off and try again. After the “start” has been glued correctly, we take plastic or a rag. Peel it off, folding a small part of the protective paper and gluing the strip. Peel off the protective paper again and stick it on. Moving up and to the sides we glue the entire fragment. When sticking, do not remove the protective film from the front part - We looked, the fragment was glued evenly, everything was fine. Remove the protective film from the front part.
- We repeat the operation with the next piece of the picture. But now we still need to join the parts. The slightest discrepancy will be visible, so don't rush. We glued it, checked it, and removed the protective layer from the front part.
- We glue all the parts in the same way.
That's all. A few notes on the process
It is important to try to expel the air from under the vinyl film. Therefore, we move slowly, avoiding omissions
Then there will be no bubbles. If the peel-off backing is in the way, it can be cut off.
We remove the film that is pasted on the front side after the fragment is completely pasted and all the air is removed. At the same time, you cannot leave it on the part when the next one is glued - the seam will be visible.
Features of a small picture
Above we described the process of gluing a large picture, consisting of several pieces that need to be joined to each other. But such complications are not always necessary. Some images are a set of elements that can be arranged relative to each other in any order. Such elements are usually glued on one sheet. They just need to be removed from the backing and pasted on the wall.
It’s easier to glue small fragments: popular butterflies and cartoon characters (Kitty)
But even in this case, in order not to make a mistake and not to re-glue the fragments from place to place, cut them out together with the backing. It is not necessary to strictly follow the contour; you can capture free areas of the substrate. Now distribute these pieces over the surface as you imagine, using pieces of masking tape. Evaluate the result. You may have to move something somewhere, change places. When you are satisfied with the result, start gluing.
Drapery in clothes
Drapery in clothing is an element of its decoration and modeling, which can emphasize an ideal figure or neatly hide its flaws, transform it. There is not a single fashion designer who would not resort to using this technique in their collections.
How to beautifully make drapery fabric for clothes
Regarding clothing, pleasant and light drapery is obtained when using thin fabrics such as cambric, chiffon, muslin, heavy - on silk, knitwear and viscose, and voluminous - on textured fabrics that hold their shape.
Fashionable draped clothing
Important! This element of clothing modeling has long migrated from dresses and skirts to overalls and pullovers. Even tops are now draped using the latest fabric technologies.
Folds on the dress
Story
The method of draping in figurative arts changed according to their state in different historical eras and among different peoples. The ancient Egyptians, Chaldeans, Persians and Phoenicians, as well as the Greeks, in their first attempts at artistic creativity, dressed statues and bas-relief figures in heavy, rough draperies, devoid of folds and similar to bags, from which only the head, arms and legs protruded. With further successes of Greek sculpture, draperies began to be split into folds, still dry and sharp, sometimes too numerous and laid out in regular rows, but already hinting at the contours of the body hidden beneath them.
In the era of the full flowering of Hellenic art, the gods and heroes, personified by plastic art in ideally beautiful images, for the most part throw off all sorts of veils; a lot if a piece of fabric is carelessly thrown over their shoulder or arm or lies next to them, and only such strict and chaste goddesses as Artemis and Athena do not part with the draperies, which then take on soft, graceful, cleverly placed folds.
However, along with naked and semi-nude statues, the art of this era also produces those clothed in draperies with numerous, symmetrical, as if ironed folds; but such statues are nothing more than “Old Believers”, imitation of the most ancient prototypes, consecrated by popular respect (archaistic statues).
Ancient Rome
For the Romans, the main task of plastic art was a portrait, which conveyed not only the features of a given person, but also his costume; the clothes of the Romans and Roman women - the togas of senators and priests, the tables and peplums of matrons, the cloaks of warriors, the robes of emperors and others - represented a rewarding topic for artistic development. As a result, the Roman sculptors brought the art of drapery to a high degree of perfection and left us the best examples in this area.
Middle Ages
In the Middle Ages, with a general decline in the arts, drapery returned almost to primitive rudeness and clumsiness, and only Byzantium still retained some traces of ancient tradition in relation to them. By the XII and XIII centuries. in the west of Europe, skinny, stiff statues with huge heads cling to pilasters and to the jambs of church portals in clothes with clumsily chopped, frequent folds located without any consideration, falling down vertically or breaking at sharp angles.
In the 14th century, some success was noticeable: draperies began to become less rigid and hint at the shape of the body hidden beneath them. In the 15th century, they freed themselves even more from convention and routine, striving to outline the figure as best as possible, although sometimes they indulge in mannerisms.
Renaissance
The beginning of the 16th century coincides with the brilliant development of this branch of art, just like all others: careful study of antiquities and nature gives Renaissance artists the opportunity to enhance both in sculpture and painting the beauty and expressiveness of the human figure with soft, graceful, completely natural draperies and to equal, if not surpass, the artists of classical antiquity in this respect.
In the following centuries, in both branches of art, drapery is often given too important a role, and, while pretending to be beautiful, they break, crumple and flutter in the most implausible way. This affectation ceases at the end of the 18th century under the influence of passion for the ancient Greeks and Romans, excited, on the one hand, by the preaching of Winckelmann, and on the other, by the school of the French. painter David.
19th century
At this time, loose and wide draperies like the ancient ones have not yet been completely forced out of art by the ungrateful modern costume, and sculptors often resort to them, especially when they have to create monumental statues. In art schools, young artists and sculptors learn how to arrange drapery with the help of suitably dressed mannequins.
Draping curtains
Window decoration occupies one of the key places in creating the interior of a home. At the same time, no windows are complete without curtains. To create the perfect design element in the form of curtains, you need to understand what types of drapery there are. Highlight:
- Classic, neoclassical, baroque. Luxury and high-cost styles. Curtains are made from expensive textiles such as velvet, moire, silk, etc. The canvases are decorated with fringe, lace, cords, tiebacks and holders;
- Modern style. Based on the simplest draperies and curtains in light colors;
- Art Deco style. Good and expensive fabrics with large patterns and good borders. The contrast of bright and dark colors is characteristic;
- Provence, country. These styles are characterized by maximum simplicity and the use of natural fabrics such as silk, linen or cotton. The curtains are presented with simple folds and tiebacks.
Curtains
Rules
The rules for skilfully draping figures are the same for both painting and sculpture; they boil down to the requirement that the drapery, covering the body, does not completely conceal its forms, but allows the viewer to guess about them, does not prevent him from understanding the movement of the figure, and especially does not violate its vitality and grace by the improbability and ugliness of its bends and folds.
A sculptor should not lose sight of these requirements in his work, since he does not have colors, perspective, complex plot settings and other artistic resources that a painter has, but there is only one means of expressing an idea - the human figure with its forms and movements. Understanding these conditions perfectly, ancient artists even invented to more conveniently satisfy them a special kind of draperies, which are still used today, namely the so-called wet draperies, that is, those that reproduce more or less thin matter, as if moistened with moisture, adhering to the body and through it clearly outlines its shape.
Wall drapery
This kind of wall decoration is rare and usually temporary. When using this type of decor, there are a number of advantages:
- Possibility of installation without construction experience;
- No need to treat walls before installation;
- Effectively concealing wall defects;
- Soundproofing;
- No damage to walls during installation.
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Important! Modern wall solutions are woven from materials that are resistant to fading, dust and moisture.
Walls
There are also disadvantages of some fabrics when used in this way. For example, pile fabrics, despite impregnation, accumulate a large amount of dust, and in a bathroom or other damp room, even moisture-resistant fabric will sooner or later become damp.
General recommendations for decor are as follows: do not use fabric on the walls in children's rooms, as well as in corridors. This solution is not suitable for poorly ventilated areas. The fabric is usually secured to wooden or metal bases for easy removal and washing.
Draped decoration
Ceiling drapery
One of the oldest types of decoration, which was used in ancient times as a work of art. The fabric can be located on the ceiling in the form of a plane of straight lines, a cone of rectangles, covering the entire surface or parts of it.
Draping the ceiling with textiles has the same advantages as draping walls, but the disadvantages of this approach are much more serious:
- The height of the draped ceiling is noticeably reduced;
- Such decor is difficult to fit into the overall interior;
- The risk of fire increases as the fabric is highly flammable;
- Washing and putting away such a canvas is more difficult than hanging on the wall.
This kind of ceiling is inappropriate in kitchens, bathrooms and children's rooms.
Ceiling
Story
The method of draping in figurative arts changed according to their state in different historical eras and among different peoples. The ancient Egyptians, Chaldeans, Persians and Phoenicians, as well as the Greeks, in their first attempts at artistic creativity, dressed statues and bas-relief figures in heavy, rough draperies, devoid of folds and similar to bags, from which only the head, arms and legs protruded. With further successes of Greek sculpture, draperies began to be split into folds, still dry and sharp, sometimes too numerous and laid out in regular rows, but already hinting at the contours of the body hidden beneath them.
In the era of the full flowering of Hellenic art, the gods and heroes, personified by plastic art in ideally beautiful images, for the most part throw off all sorts of veils; a lot if a piece of fabric is carelessly thrown over their shoulder or arm or lies next to them, and only such strict and chaste goddesses as Artemis and Athena do not part with the draperies, which then take on soft, graceful, cleverly placed folds.
However, along with naked and semi-nude statues, the art of this era also produces those clothed in draperies with numerous, symmetrical, as if ironed folds; but such statues are nothing more than “Old Believers”, imitation of the most ancient prototypes, consecrated by popular respect (archaistic statues).
Ancient Rome
For the Romans, the main task of plastic art was a portrait, which conveyed not only the features of a given person, but also his costume; the clothes of the Romans and Roman women - the togas of senators and priests, the tables and peplums of matrons, the cloaks of warriors, the robes of emperors and others - represented a rewarding topic for artistic development. As a result, the Roman sculptors brought the art of drapery to a high degree of perfection and left us the best examples in this area.
Middle Ages
In the Middle Ages, with a general decline in the arts, drapery returned almost to primitive rudeness and clumsiness, and only Byzantium still retained some traces of ancient tradition in relation to them. By the XII and XIII centuries. in the west of Europe, skinny, stiff statues with huge heads cling to pilasters and to the jambs of church portals in clothes with clumsily chopped, frequent folds located without any consideration, falling down vertically or breaking at sharp angles.
In the 14th century, some success was noticeable: draperies began to become less rigid and hint at the shape of the body hidden beneath them. In the 15th century, they freed themselves even more from convention and routine, striving to outline the figure as best as possible, although sometimes they indulge in mannerisms.
Renaissance
The beginning of the 16th century coincides with the brilliant development of this branch of art, just like all others: careful study of antiquities and nature gives Renaissance artists the opportunity to enhance both in sculpture and painting the beauty and expressiveness of the human figure with soft, graceful, completely natural draperies and to equal, if not surpass, the artists of classical antiquity in this respect.
In the following centuries, in both branches of art, drapery is often given too important a role, and, while pretending to be beautiful, they break, crumple and flutter in the most implausible way. This affectation ceases at the end of the 18th century under the influence of passion for the ancient Greeks and Romans, excited, on the one hand, by the preaching of Winckelmann, and on the other, by the school of the French. painter David.
19th century
At this time, loose and wide draperies like the ancient ones have not yet been completely forced out of art by the ungrateful modern costume, and sculptors often resort to them, especially when they have to create monumental statues. In art schools, young artists and sculptors learn how to arrange drapery with the help of suitably dressed mannequins.
Door drapery
Textiles of such shapes are used both instead of doors as curtains on the doorway, and inside the doors themselves, most often glass. In the first case, the type of fabric, its color and shape must exactly replicate the appearance of the fabric on the windows. Door inserts are used not only for interior doors, but also for decorating cabinet doors.
In many cases, using draped textiles in openings instead of massive doors is more profitable and more pleasing to the eye.
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Important! This solution should be used where there is no need to insulate the room. For example, between the living room and the hallway, the bedroom and the office, etc.
Doors
A-line
Playful midi dresses with a flared A-line are not only a tribute to the fashion of the 50s, but also a great idea for a festive occasion 2021-2022. Delicate draperies at the waist make this model suitable for both slender and overweight women.
Drapery of arches
These are the same openings, but in the form of arches. Doors are most often not installed on them due to their shape. Therefore, you can embellish the openings with draped fabric. Depending on the type of arch (interior, window, door), the drapery style is also chosen.
For arches in window openings, drapery solutions are as follows:
- Throw it over the arch on the eaves with a low room height;
- Fasten under the bend of the arch on a regular cornice to emphasize its beauty;
- In the form of a bend using a flexible cornice;
- Attached along the curve for added lightness.
For arched window openings, you can use roller blinds and curtains with tiebacks for light muslin.
Decorating an arched interior opening follows the same rules as the drapery of ordinary doors: its style should repeat the style of window drapery.
Arches
Rules
The rules for skilfully draping figures are the same for both painting and sculpture; they boil down to the requirement that the drapery, covering the body, does not completely conceal its forms, but allows the viewer to guess about them, does not prevent him from understanding the movement of the figure, and especially does not violate its vitality and grace by the improbability and ugliness of its bends and folds.
A sculptor should not lose sight of these requirements in his work, since he does not have colors, perspective, complex plot settings and other artistic resources that a painter has, but there is only one means of expressing an idea - the human figure with its forms and movements. Understanding these conditions perfectly, ancient artists even invented to more conveniently satisfy them a special kind of draperies, which are still used today, namely the so-called wet draperies, that is, those that reproduce more or less thin matter, as if moistened with moisture, adhering to the body and through it clearly outlines its shape.
Tent drapery
If the ceilings in the room are very high, then you can create a decor in the form of a draped tent. In this case, you need to use additional decorative elements to emphasize the ceiling.
Another option would be to create a tent in the bedroom near or above the bed. The essence of the installation will remain the same: it is necessary to determine the height of the ceiling and the general style of the interior of the room.
Tent
Important! Not so long ago, decorating the site of cafes and restaurants for corporate parties and events, such as weddings, in the form of a tent has become widespread. This is not the cheapest decor option and it requires a huge amount of textiles, but it makes an amazing impression.
House tent
Textile drapery is one of the most important design elements, creating unique, harmonious and fashionable interiors. The most important thing is to take into account the purpose of the room, its original design and furniture, the size of the ceiling, windows and openings.
Satin
Dresses, skirts and satin trousers have burst into fashion trends for 2021-2022. Satin slip dresses are especially popular among Instagram fashionistas, which have become an indispensable part of the basic women's wardrobe this season.
©pazhalabi / Instagram